All About Watercolor Washes #2 The Graded Wash

•August 22, 2016 • Leave a Comment

 The next wash every watercolorist needs to master is the graded wash. It begins with a stroke of color at the top of the paper. Unlike the flat wash where you continue each additional stroke with a loaded brush of paint of the original color, the next stroke of the brush, in a graded wash, has a diluted version of the color or a lighter value of the color. Water is added to the original paint mixture which creates a lighter value of color. A stroke of clear water  brings the white of the paper back creating a change in value from the first stroke to the last.

WASH GRADED RED

You can change this by making the middle stroke the lightest value.

WASH GRADED BLUE2

 You can make the top or bottom of your painting the value you want by doing a graded wash.

WASH GRADED BLUE

Here is a simple example of how a graded wash can be useful.

WASH EXAMPLES 3

Practice this wash and then add a simple treeline of whatever you feel would work on top of this wash. These little practice painting can be used as hand painted cards, no one needs to know that theses were done to help you become proficient with watercolor. People will cherish a unique card made by you.

Have fun, paint lots of these and work your way up in size. I started small, about 4×6 to learn control & mixing values. I painted both sides of the paper once one side was dry. Do not use a poor quality paper or paint thinking that these are just practice pieces. You want to get good results so use good quality supplies. I don’t want you to think you are failing because your supplies failed to allow you to be successful. I glued many onto blank 5×7 cards. 

Now I love the challenge of doing a wash on a full sheet of watercolor paper.

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All About Watercolor Washes #1 The Flat Wash

•August 15, 2016 • 2 Comments

Wash Examples FLAT RED Wash Examples FLAT BLUE2 Wash Examples FLAT BLUE

Having the desire to paint with watercolor I needed to learn how to use this extraordinary medium.

 

I was lucky to have found an artist that wrote a book for beginners.

Ann K Lindsay

WATERCOLOR A NEW BEGINNING

She helped me learn the importance of knowing how to use watercolor paints before I attempted to create a painting. By doing this she allowed me to practice using this exciting medium without any fear of failure. I learned how to do washes which helped me control the flow of water & paint. I learned how to be patience and let the paper dry. I watched the shine leave the paper learning when it was the right time to add more paint or lift off pigment.

Too often we want to paint the painting but don’t know how to use the product, this leads to frustration & failure.

I will never forget how important the basics are so I will share with you the beginnings of my journey into watercolor.

The Importance of Washes 1

Knowing how to do a flat wash is so important. You my feel that something so simple as a flat wash is trivial or unimportant but knowing this will lead you to much success as an artist. Use small scrap pieces of a good quality watercolor paper. Mix a large puddle of your favorite color or try a color that has been sitting unused at your work space. Tilt your paper so the wash runs downward. Starting at the top of the paper, using a brush large enough to hold plenty of paint, paint across the top of the paper. Reload your brush and paint another stroke of color across the paper below the previous one. Slightly touch the previous line of color. Continue to the bottom of the paper until the entire paper has a flat solid wash.

Practice this wash until you can get an even layer of paint on the entire paper

Now you are on your way to being successful with watercolor.

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WATERCOLOR Negative vs Positive Painting

•July 27, 2016 • 1 Comment

Switching how you see an image takes time & practice.

Here I painted a circle in the positive

Negative VS Positive ShapesA2

This circle is painted in the negative. I painted the space around the object to make the object appear.

Negative VS Positive ShapesA1

Practice this technique using any object. Do a pencil drawing and paint one in the positive & one in the negative.

Negative VS Positive Shapes4

I absolutely love negative painting. I find my mind at rest as I paint in this manner.

As a watercolorist it is essential that we have an understanding of negative painting. Start with simple shapes and have fun.

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Dog Eyes in Watercolor

•June 14, 2016 • 2 Comments

I have been busy working on a series of water view paintings using wonderful washes which I will share here as soon as I am finished. I needed a break from my latest project so I set aside some time to paint more eyes. It was refreshing to revisit these delightful images filled with simple shapes & colors.

Without drawing, using only paint, I made the shape of the eye leaving a small white area for the reflection.

Dog Eye 101A

 

A second color was dropped in before the entire area dried. I allow these colors to mingle on the paper

Dog Eye 101B

When the eye area has lost its shine I drop in a darker color to create the ‘pupil’ Using the same darker color I paint around the eye slightly touching the outline allowing it to blend & soften the edge. The dog’s eye has a drooping lower lid so I left some white showing below the iris of the eye.

Dog Eye 101C

Now I start to build up some of the darks. I also add some brush strokes to add the fur around the eye. When doing this think about petting the dog’s face. Use your fingers to follow the growth direction of the fur. This is how I then place my brush strokes.

Dog Eye 101D

Using an even darker color I detail the shape of the eye and finally I darken the pupil. I find that this darkest color is essential to bring the eyes to life.

Dog Eye 101E

Here is another example of dog eyes

First I paint the eye shape using 2 colors. Using a damp clean brush, I wet the surrounding area allowing the paint to bleed away from the eye. This breaks up the hard outline of the eye making it appear softer.

Dog Eye 101F

Using a light wash I start to define the eye area, remembering to leave some white areas below the eye.

Dog Eye 101G

Now I add the darker colors using the process described above.

Dog Eye 101H

To complete the portrait I add the illusion of a nose & an ear.

Dog Eye 101I

Anyone viewing this will automatically fill in the blanks, meaning, they will know that the dog has 2 eyes, 2 ears and a big shiny nose. I do not have to give them all the parts for them to know this is a dog. I am allowed to have fun and take artistic license with my paintings. So can you!

Find a photo and have fun painting your favorite animal’s face. Remember you choose what to add or subtract from your paintings. You decide what colors you want your painting to contain. Why can’t a cat have violet eyes? Why not try painting a dog using only red in many different values. This is only the start of an amusing & entertaining journey. 

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Dogs In Watercolor – It’s all about the eyes Part 2

•June 7, 2016 • 5 Comments

 

 

Dogs A 2-2016

My set up, as I prepare to paint is simple. I enlarge the animals eyes so I can see the shape, highlights, colors & values. Each of these are essential to help me paint eyes that will bring life & give expression to the animals face. I could not work from a tiny poor quality photo. I’m mostly interested in painting animals I have been able to photograph myself. That gives me a feeling as to how that particular animal moves and behaves in its own environment or home.

Sometimes I wil trace the eyes which allows me to see thir shape clearly. I can study the contour, outline & shadow as I trace the image. To help me further, I can transfer the tracing onto paper and do several studies. Without having to draw each eye in detail I have complete freedom to experiment with my watercolor paints and discover how I want my finished eyes to look. By now I have painted dozen of eyes and I rarely draw an eye in pencil anymore, I start each eye working only with my paints.

These are a few of my recent dog practice paintings

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Dog_Boxer2

 

Dogs B 2-2016

 

Dogs 8

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When I started painting I was so intimated by the amazing animal paintings I would see. I believed I would never attempt to do any animal painting myself. But once the desire to do this took hold of me I decided to develop my our understanding & method of how I could achieve this. I broke it down into small studies using enlarged images and practiced constantly.

Now it’s your turn. What has you intrigued and what are to reluctant to paint but possess a desire to try? Study it & find a small yet important piece of the image and practice that one element until you reach a level of satisfaction. Don’t overwhelm yourself and expect to do an entire painting. Find joy is accomplishing that one small piece, like I did with the eyes.

The truth is that for me the rest of the face wasn’t quite so scary once the soulful eyes, of the dog, were looking back at me from the paper

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Dogs In Watercolor – It’s all about the eyes Part 1

•May 17, 2016 • 2 Comments

This past year I have developed a passion for painting animals. I especially love the eyes. Soulful or indifferent the eyes of our pets can convey to us how they’re feeling.  

Painting the eyes is like bringing each animal to life, whether it a cat, dog. bird or frog.

Dogs 7

I start each painting with the eyes

Dogs 6

I use my own photos. I think it’s much more interesting to know the animal I am painting. Maybe I see each animal’s personality come alive in my art.

 

Dogs 2

I will do many small paintings as I work my way through the process of understanding the colors, shapes & values needed to achieve what I feel is a successful portrait.

Dogs 1

Not every one comes out to my satisfaction, like the last painting (below). I feel the eyes have great contrast but they are too round and lack shadow from the upper eyelid.  The overall shape of the head is wrong too. I wanted to share both my successful and not too successful practice paintings with you.

Dogs 4

You must have a subject that brings excitement to you. I find myself thinking about what I’m going to paint & what colors I want to use as I drive to the studio. I am constantly taking photos of my family’s pets. All it takes is one expressive face and I’m overwhelmed with desire to capture that face with my watercolor paints.

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Watercolor With The Non-Dominant Hand

•April 25, 2016 • 5 Comments

I belong to several Art Associations and I receive numerous ‘call for artists’ each month giving me opportunity to show my art in a variety of venues. One of my favorite associations is the East End Arts in Riverhead NY. They recently asked for submissions to a show titled ‘ART OF THE NON-DOMINANT HAND’   I am right-handed therefore I had to create a painting done entirely with my left hand. My first reaction to this theme was ‘why, that’s crazy!’ But, after talking to some of the artists who were submitting art to this show and listening to their favorable experiences I thought I would give it a try.

I set up my desk by switching my palette, brushes & water containers to my left, instead their usual place which is on my right. I planned to paint a subject I was comfortable with so I did a colorful wash to get me started. While the wash was wet I laid a few pieces of clear wrap, like Saran Wrap, on the paper. I used my fingers to scrunch & slightly twist the wrap into a several shapes. Then I let the paint dry before removing the wrap. It left very interesting marks on the paper.

Next I started to paint on the left side of the paper where I saw a usable image that I felt would be perfect for a flower. Using my love of negative painting I painted around the floral shape creating a flower.

You can see, in the picture below, the start of my painting. I have not touched the interior of the flower, I have only painted around the flower and on the lower left where you can see the negative painted stems or shapes.

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LEFT IN THE GARDEN1_____________________________________________________________________

I continued painting only the negative space outside the floral shape on the right and in between the two flowers. Look at how important the small green shapes between the flowers are. They create the stem and petals or leaves.When I paint I want you to decide what things you see within my paintings so I allow you the viewer to see what ever you want to see. I am never offended when someone says they love the leaves when I was really trying to convey petals. It is most important that you like my paintings and I don’t worry about what objects you are seeing.

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LEFT IN THE GARDEN2_____________________________________________________________________

Painting the delightful shapes within each flower, which were created by the application of clear plastic wrap, I add detail by darkening and adding layers of color to that area. Using washes of greens & pinks I complete the upper right side of the painting.

All of this was done with my left hand 

It was not as hard or frustrating as I thought it would be, yet there were some challenges. I had to constantly think about which way to position the paper so I could see the tip or point of my brush. I hadn’t thought the direction of the brush would change so much that the position of the paper needed to change also. My biggest surprise was that something so simple & easy like washing my brushes during the painting process would become so difficult that I was splashing water everywhere each time I dipped the brushes in the water containers. I needed to keep plenty of paper towels on hand for the extra puddles of water I was creating. 

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LEFT IN THE GARDEN copyright

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I decide, when the painting was completed, to sign my art using my left hand. I usually sign using watercolor paint but for this project I thought pencil would be much easier to handle. I am very happy with this painting titled “Left in the Garden”

I would highly recommend trying this process and seeing what your results would be. You do not have to enter it into a show like I did but if you like the results please share it with me, I’d like to post your paintings here so contact me if you would be willing to share.

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